the key from the desk unlocked with his captured Nazi 1960 combat knife and orders B.J. chose to sacrifice him, and how both Wyatt and Prendergast were gone, while he considered himself nothing but a worthless "old skeleton" from the past, running without a willpower and unable to strap on the holsters anymore. that he obviously did, telling him that he was ready to die and had worked his ass off to save that boy, but instead B.J. then asks Fergus if he made a wrong choice. Fergus loses his cool with Blazkowicz on account of Wyatt's death at the hands of Deathshead (also over unsuccessfully trying to unlock the desk to get the key inside).
WOLFENSTEIN THE NEW ORDER WHO TO SAVE ARCHIVE
goes to Fergus in order to retrieve the keys to the archive room. enough time by destroying the London Nautica front.Īfter returning back to the Kreisau Circle, B.J. Eventually, he aided the Kreisau Circle in retrieving the stealth helicopters of Project Whisper located at the London Nautica, losing Bram, who gave B.J. He and Blazkowicz managed to escape and regroup with the Kreisau Circle. However, he is saved by B.J., who had come out of his catathonic state and was helped by Anya Oliwa. īy 1960, Fergus is sent to Eisenwald Prison where he and others are tortured, leaving scars that would never heal. What have you've been up to, Blazkowicz?" ―Fergus and B.J. And this Nazi killing jammy bastard shows up out of nowhere. " Here I was, getting ready for the eternal nap. Fergus proceeds to praise B.J.'s feat of destroying the Monstrosity and informs that the assault on Deathshead's compound could topple the Nazi empire.
not reminding him, with him replying that he's not his babysitter. In a truck filled with soldiers, Fergus complaints about not taking a piss and for B.J. Kinloss, where they prepare for the assault on Deathshead's Compound. that Pippa sent him a distress call, but found her body and was informed that Wesley was killed in Castle Wolfenstein. Fergus arrives to get him back on his feet and escort him out of Wulfburg. Īfter defeating the monster at the end of the game, B.J. Except in my goddamn bladder." ―Fergus' speech to Blazkowicz before the assault.
Now it's time to get it done, eh? The world is counting on us and all that. This may be our last chance to topple the Nazi empire. " You sure killed that big fucking monster proper, B.J. Fergus also was acquainted of Pippa Shepherd and Richard Wesley before the events of The Old Blood. There, he joined the parachute regiment and trained as an aviation mechanic before an alcohol-induced bet got him promoted to airman.īefore the events of franchise, Fergus met and befriended William Joseph Blazkowicz, whom he refer to as Blazko. At age 16, Fergus found a job in the Glasgow shipyard where he would remain at until the depression of the 1930s hit Scotland hard and he was made redundant.Īfter years of scraping by, World War II broke out and Fergus moved to Perth in central Scotland. Sarcasm became a tool finely honed for dealing with the cruelty of fate. Early on, he developed a cynical outlook on life. I love this.Born and raised in the Scottish lowlands, Fergus Reid's childhood was defined by poverty and hardships. In Wolfenstein, I'm bouncing between tempos-sending rockets into a big metal robo-man, sprinting into a corridor, grabbing ammo, obliterating a heavy with the LKW, and, finally, unloading twin shotguns into whatever has the sheer audacity to still be moving. In shooters, I'm cautious when pushing forward. In stealth games, I quickload when I'm spotted. It's the fluidity of all this that makes The New Order exhilarating. Health? Armour? Dog food? Find it, grab it, and keep shooting. If I need health, I push forward or around-circumventing the remaining enemies in a burst of speed and a slide into temporary safety. The areas behind me were picked clean by obsessive collecting. The problem with regenerating health is it naturally breeds caution. Again, The New Order functions as a breath of fresh air blowing away years of accepted shooter design. If phase one of my amalgadote is stealth and phase two is action, phase three is recovery. A charged scope shot disintegrates an enemy. It's a statement-one that closes with multiple exclamation marks. A fully upgraded Laserkraftwerk is not a laser rifle. In Wolfenstein, I feel like an extension of the gun because I know what that gun is about. Granularity strips a game's weapons of their personality, because what makes them unique is unremarkable. I've played numerous Battlefields and Call of Duties and I still barely know the difference between M16A1 and an M4A1. There's a tendency for games in the modern-military-shooter subgenre to include guns simply because they exist.